![]() ![]() “It’s just an ’80s rock song, for god’s sake. “We’re not pedophiles,” he adds with a laugh. “But think of the Beatles with ‘I Saw Her Standing There,’” he says, pointing to the song’s initial lyrical inspiration. ![]() “We didn’t even write that – it was something Beau Hill, our producer, came up with. “It’s really just the one line: ‘Daddy says she’s too young, but she’s old enough for me,’” Beach says. Things went south, though, as grunge made Winger’s brand of music obsolete and changing attitudes made “Seventeen” a target for criticism. “In fact we never actually played together as a band until we started rehearsing for our first tour, where we were opening for Scorpions.” But by the time “Seventeen” broke through, they were a well-oiled machine. ![]() Their early live performances were, as Beach admits, “horrible.” “We put all the songs for the first album together in the studio,” he reveals. The success of “Seventeen” couldn’t have come at a better time for Winger, who had been struggling onstage up to then. “At first, I got compared to Van Halen, but by our second record, I think people realized that I had my own thing going on. Before debut, he appeared in NU’EST’s Face music video as well as Hello Venus‘s Venus MV, is the tallest member of SEVENTEEN, and his ideal type is a girl who is tall, kind-hearted, and easy-going. There’s definitely a lot more going on than there is for a typical band of the genre.”Īnd while Beach preferred to play his solos “on the spur of the moment and carry on until I screwed up,” he copied the solo for “Seventeen” from the song’s demo. Mingyu became a trainee in 2011, and enjoys cleaning and vacuuming the group’s living space. I also love the funky feel in the verses. And our drummer, Rod Morgenstein, flips the beat around in the middle, which is a cool idea. It sounds confusing because I hear everything on the upbeats, which goes against the grain. People think delay was an important part of the feel for the riff, but I recorded that dry and added the delay in the production. He plugged it straight into a Marshall, although he doesn’t recall the model.īeach is proud of the killer riff that opens “Seventeen” and notes that “there’s a lot more to it than meets the ear. “It’s the exact same guitar as the one that became my signature model,” he says. When it came time to record the track, Beach turned to the Pensa Suhr he purchased at Rudy’s Music Stop in New York for $1,800. We actually wrote three songs together that first day.” Riff Rap But he fired up a drum machine, played a bass line under it, suggested we go to A in the verse, and it all came together really quickly on the spot. I couldn’t see how you could sing a chorus over it. “I played the riff for ‘Seventeen’ to Kip and he said, ‘That’s a chorus.’ I thought he must be kidding me. But Winger’s ideas for “Seventeen” took him by surprise. That included the “Seventeen” riff, which he wrote when was himself just 15. “He said Kip was the man to turn them into songs,” the guitarist recalls. It was their producer, Beau Hill, who suggested Beach bring his bag of riffs to Winger. ![]()
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